By Cher Krause Knight, Harriet F. Senie
A better half to Public Art is the one scholarly quantity to check the most matters, theories, and practices of public paintings on a accomplished scale.
- Edited by means of amazing students with contributions from paintings historians, critics, curators, and artwork directors, in addition to artists themselves
- Includes 19 essays in 4 sections: culture, web site, viewers, and demanding frameworks
- Covers very important themes within the box, together with valorizing sufferers, public artwork in city landscapes and on collage campuses, the position of electronic applied sciences, jury choice committees, and the intersection of public paintings and mass media
- Contains “artist’s philosophy” essays, which deal with higher questions about an artist’s physique of labor and the sector of public artwork, by way of Julian Bonder, eteam (Hajoe Moderegger and Franziska Lamprecht), John Craig Freeman, Antony Gormley, Suzanne Lacy, Caleb Neelon, Tatzu Nishi, Greg Sholette, and Alan Sonfist.
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Extra info for A Companion to Public Art
Memorial Museums: The Global Rush to Commemorate Atrocities. Oxford: Berg. Part I Traditions Introduction Cher Krause Knight and Harriet F. Senie Before we used the term “public art” to designate works in public spaces such projects consisted almost exclusively of memorials; today we consider memorials a distinct category of public art, one with a very long history. This tradition was seriously challenged during the twentieth century with the advent of modernism and its dual dictum to seemingly expunge figuration as well as the past.
Meanwhile Mary Miss notes the shift in her own practice from a focus upon site to that upon audience, and also to maintaining meaningful collaborations across disciplines and fields. Jon Rubin is interested in collaborating with audiences: works such as his Conflict Kitchen potentially fuse the roles of audience member, participant, and funder in unexpected ways. ” As Weleski asserts: context must always include the audience. For Mary Mattingly a related concern is how we navigate bureaucracies and may also forge our own alternative systems to these through inventive collaborations emphasizing sustainability and resourcefulness.
Species of Spaces and Other Pieces, trans. John Sturrock. London: Penguin. Phillips, Patricia C. 1992. ” In Critical Issues in Public Art: Content, Context, and Controversy, edited by Harriet F. Senie and Sally Webster. rev. edn. : Smithsonian Institution Press, 1998. 295–304. Robbins, Bruce, ed. 1993. The Phantom Public Sphere. Minneapolis, MN: University of Minnesota Press. Rothschild, Babette. 2000. The Body Remembers: The Psychophysiology of Trauma and Trauma Treatment. W. Norton & Company.